{"id":9408,"date":"2016-11-28T14:43:06","date_gmt":"2016-11-28T13:43:06","guid":{"rendered":"http:\/\/www.bgf.rs\/lt\/?p=9408"},"modified":"2016-12-07T17:35:54","modified_gmt":"2016-12-07T16:35:54","slug":"nastavak-teatra-u-filharmoniji","status":"publish","type":"post","link":"https:\/\/www.bgf.rs\/lt\/nastavak-teatra-u-filharmoniji\/","title":{"rendered":"Nastavak Teatra u Filharmoniji"},"content":{"rendered":"<p><a href=\"http:\/\/www.bgf.rs\/\/lt\/repertoar_cp\/teatar-u-filharmoniji-2\/\">Drugi u nizu pozori\u0161nih koncerata iz ciklusa \u201cTeatar u Filharmoniji\u201d<\/a>, posve\u0107en Petru Il\u0458i\u010du \u010cajkovskom, zakazan je za \u010detvrtak 1. decembar, od 19 \u010dasova. \u010cuvenu korespodenciju kompozitora i njegove mecene \u2013 Nade\u017ede fon Mek \u010ditaju glumci Vladimir Aleksi\u0107 i Tamara Krcunovi\u0107, a reditel\u0458ski potpisuje Nikola Ljuca. Okupl\u0458eni u razli\u010ditim kamernim sastavima, Filharmoni\u010dari izvode odabrane numere ovog kompozitora, vo\u0111eni reditel\u0458skom umesto dirigentskom rukom.<br \/>\n&nbsp;<br \/>\n\u010cajkovski i Nade\u017eda Fon Mek su jedno drugom predstavl\u0458ali najve\u0107i oslonac u svim \u017eivotnim okolnostima u periodu od trinaest godina. Intrigantan odnos kompozitora i bogate udovice, dokumentovan je u oko 500 sa\u010duvanih pisama od preko 1200 razmenjenih. Dugogodi\u0161nje prijateLjstvo postojano je samo u pisanoj re\u010di, budu\u0107i da se na kompozitorovo insistiranje nikad nisu sastali.<br \/>\n&nbsp;<br \/>\nReditel\u0458 Nikola Ljuca posebno je fasciniran njihovim odnosom, koji ga je odveo u promi\u0161l\u0458enje na temu mecenstva u dana\u0161njem dru\u0161tvu:<br \/>\n&nbsp;<br \/>\n\u201c<strong>Mecenstvo je kao zaboravl\u0458ena re\u010d, danas se ta ideja svodi na izbegavanje poreza. Nade\u017eda Fon Mek deluje kao ekscentrik pro\u0161log vremena umesto sna\u017ena \u017eenska figura koja poma\u017ee \u010cajkovskom da se izbori sa svojim depresijama i nesre\u0111enom seksualno\u0161\u0107u i da uprkos njima stvori svoja najve\u0107a dela<\/strong>\u201d, ka\u017ee <strong>Nikola Ljuca,<\/strong> reditel\u0458 filma \u201cVla\u017enost\u201d sa kojim je u\u010destvovao na Berlinskom festivalu 2016. godine, nakon \u010dega je osvojio sve nacionalne filmske nagrade. Rade\u0107i na filharmonijskom projektu, Ljuca istra\u017euje da li su \u010cajkovski i Nade\u017eda Fon Mek bili u nekoj vrsti intelektualnog braka, namerno nekonzumiranog i nevi\u0111enog: \u201c<strong>Preko 500 sa\u010duvanih pismama smo pretvorili u jedan prikaz emotivnih i intelektualnih ekstrema dvoje posebnih istorijskih figura.\u201d<\/strong><br \/>\n&nbsp;<br \/>\nCiklus \u201cTeatar u Filharmoniji\u201d spaja pozori\u0161nu i muzi\u010dku umetnost u jedan svojevrsni doga\u0111aj. Muzi\u010dari Beogradske filharmonije dele scenu sa glumcima Vladimirom Aleksi\u0107em i Tamarom Krcunovi\u0107 nude\u0107i slu\u0161aocima, a sada i gledaocima novu perspektivu u u\u017eivanju i razumevanju dela velikih kompozitora. Koriste\u0107i korespodencije kompozitora sa njima va\u017enim osobama, sa jedne strane, i njihovog stvarala\u0161tva sa druge, tokom ciklusa pozori\u0161nih koncerata \u0107e se jo\u0161 bli\u017ee \u201cupoznavati\u201d <a href=\"http:\/\/www.bgf.rs\/\/lt\/repertoar_cp\/teatar-u-filharmoniji-3\/\">Maler<\/a>, <a href=\"http:\/\/www.bgf.rs\/\/lt\/repertoar_cp\/teatar-u-filharmoniji-4\/\">\u0160uman<\/a> i <a href=\"http:\/\/www.bgf.rs\/\/lt\/repertoar_cp\/teatar-u-filharmoniji-5\/\">Stravinski<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Drugi u nizu pozori\u0161nih koncerata iz ciklusa \u201cTeatar u Filharmoniji\u201d, posve\u0107en Petru Il\u0458i\u010du \u010cajkovskom, zakazan je za \u010detvrtak 1. decembar, od 19 \u010dasova. \u010cuvenu korespodenciju kompozitora i njegove mecene \u2013 Nade\u017ede fon Mek \u010ditaju glumci Vladimir Aleksi\u0107 i Tamara Krcunovi\u0107, a reditel\u0458ski potpisuje Nikola Ljuca. Okupl\u0458eni u razli\u010ditim kamernim sastavima, Filharmoni\u010dari izvode odabrane numere ovog [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9404,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[113],"tags":[],"class_list":["post-9408","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-lt"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Nastavak Teatra u Filharmoniji | Beogradska filharmonija<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.bgf.rs\/nastavak-teatra-u-filharmoniji\/\" \/>\n<meta property=\"og:locale\" content=\"sr_RS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nastavak Teatra u Filharmoniji | Beogradska filharmonija\" \/>\n<meta property=\"og:description\" content=\"Drugi u nizu pozori\u0161nih koncerata iz ciklusa \u201cTeatar u Filharmoniji\u201d, posve\u0107en Petru Il\u0458i\u010du \u010cajkovskom, zakazan je za \u010detvrtak 1. decembar, od 19 \u010dasova. \u010cuvenu korespodenciju kompozitora i njegove mecene \u2013 Nade\u017ede fon Mek \u010ditaju glumci Vladimir Aleksi\u0107 i Tamara Krcunovi\u0107, a reditel\u0458ski potpisuje Nikola Ljuca. 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