{"id":23831,"date":"2019-03-04T20:27:16","date_gmt":"2019-03-04T19:27:16","guid":{"rendered":"http:\/\/www.bgf.rs\/?p=23831"},"modified":"2019-03-04T20:27:18","modified_gmt":"2019-03-04T19:27:18","slug":"ralph-fiennes-exclusive-interview-to-filharmonija-magazine-i-d-like-a-big-injection-of-serbian-soul","status":"publish","type":"post","link":"https:\/\/www.bgf.rs\/en\/ralph-fiennes-exclusive-interview-to-filharmonija-magazine-i-d-like-a-big-injection-of-serbian-soul\/","title":{"rendered":"Ralph Fiennes’ Exclusive Interview to Filharmonija Magazine: I\u2019d Like a Big Injection of Serbian Soul"},"content":{"rendered":"\n

„Belgrade feels like a cosmopolitan city and has a major role in my\ncareer,“ the film star said in an exclusive interview for the fifth issue\nof the Filharmonija Magazine<\/em> in the Srpski telegraf,<\/em> on the eve of a new\nmeeting with friends in Serbia.<\/p>\n\n\n\n

The Serbian premiere of the film „The White Crow,“ directed\nby celebrated actor Ralph Fiennes, was held on 23 February as part of the 47th FEST,\n(Belgrade Film Festival).<\/p>\n\n\n\n

That same night, the film star received the Beogradski pobednik\n– Belgrade Victor Award – for his past work. Fiennes has been granted Serbian\ncitizenship and is a very dear guest in the Serbian capital, with which he has\nhad a special relationship ever since his director’s debut in „Coriolanus,“\nwhich was filmed here. His newest motion picture was also filmed partly on\nlocation in Belgrade and was financed from the Serbian budget, plus the fact\nthat the Belgrade Philharmonic plays an important role in the story of the\nlegendary Russian ballet dancer, Rudolf Nureyev. In addition to business\nconnections and official visits, the famous filmmaker now has friends to return\nto in Serbia. Speaking to the Filharmonija\nMagazine<\/em> (monthly supplement to the Srpski\ntelegraf<\/em>), he says he does not hide the fact that he warms up his slightly reserved\nEnglish mentality with a local specialty…<\/p>\n\n\n\n

Actor\non List of Most Influential People in Britain<\/strong><\/p>\n\n\n\n

Ralph Fiennes has won over film viewers and the critics with his\nthought-provoking, multi-layered and profound roles in the „English\npatient“ and „Schindler’s List.“ For aficionados of a slightly\ndifferent genre, this outstanding theater actor has shown a completely\ndifferent face in the horror thriller „Red Dragon.“ He has haunted the\nyoungest viewers for years as Lord Voldemort in the Harry Potter franchise, but\nhe dispelled this bad rap in an interview in which he said that anyone who though\nVoldemort was really scary had to know that he, the lanky Fiennes, wore tights\nunder his robe that he could barely pull up to his knees because, as he\nexplained, they did not have a bigger size in the costume wardrobe. He is the eldest\nof six very talented children of photographer Mark Fiennes and writer Jennifer\nLash. Fiennes appeared on\nDebrett’s 2017 list of the most influential people in the UK, and since\n1999 he has served as an\nambassador for UNICEF UK.<\/p>\n\n\n\n

The\nDancer Who Stunned the World<\/strong><\/p>\n\n\n\n

The film „The White Crow“ talks about Rudolf Nureyev, legendary Russian ballet dancer, who pulled off an outrageous scandal when he defected from the USSR to the West in 1961, at the height of the Cold War. In this film, Fiennes gives an insight into the artist’s early life – the film begins with his birth in a Trans-Siberian train and follows him on his road to becoming one of the greatest male ballet dancers of his generation. On his travels abroad, Nureyev was accompanied by the KGB and his conduct was strictly limited, but nevertheless he had the opportunity to acquire important friends, such as Parisian socialite Clara Saint (Ad\u00e8le Exarchopoulos), who was able to help him get political asylum. The story naturally culminates at the moment when Nureyev decided to escape his minders and never return to the Soviet Union. The film cast includes Oleg Ivenko, Ralph Fiennes, Louis Hofmann, Sergei Polunin, Ad\u00e8le Exarchopoulos.<\/p>\n\n\n\n

*Politically degraded, financially devastated and socially fractured after the \u201990. and the bombing in 1999, Serbia seemed like a decent destination for filmmaking to you. What brought you here despite it all?<\/em><\/p>\n\n\n\n

I was looking\nfor locations for Coriolanus.  I needed to find a big city which would\nprovide alot of urban locations – market places, Senate, streets with\ncontemporary apartment blocks etc.  I needed a city that had a bruised\nquality and Belgrade offered a wealth of locations which suited my concept of a\nversion of Rome today.<\/strong><\/strong><\/p>\n\n\n\n

 *Some would say that you now have at least 62 million reasons to feel like home in Serbia. If you ever got the time and opportunity, what made you relate and feel like a true Serb?<\/em><\/p>\n\n\n\n

Belgrade feels like a cosmopolitan city.  There\u2019s an expansiveness\nand generosity to the Serbian character.  I\u2019ve been made to feel very\nwelcome. But I\u2019m English! And I can be a bit reserved and cautious. I\u2019d like a\nbig injection of Serbian soul.  I\u2019m not a true Serb yet!<\/strong><\/strong><\/p>\n\n\n\n

 *Through your work, you show that you are politically and socially aware as an artist. Is it even possible to be relevant and responsible as an artist, if you were to disregard the political conotations from your work?<\/em><\/p>\n\n\n\n

I suppose as I\nget older I\u2019m more aware of the political and social aspects of work I\u2019m\nengaged in.  And yes, they are important considerations to me. It\u2019s a big\nquestion – what are the responsibilities of an artist?  I think you spend your life trying to answer\nit.  It\u2019s important to keep a sense of humour too. Not everything has to\nbe relevant.<\/strong><\/strong><\/p>\n\n\n\n

*After Shakespeare, what dragged you into the lifestory of Rudolf Nureyev?<\/em><\/p>\n\n\n\n

The spirit of Rudolf\nNureyev dragged me into the life story of Rudolf Nureyev.<\/strong><\/strong><\/p>\n\n\n\n

*Where do you feel most comfortable \u2013 in front or behind the camera and how do actor and director get along? <\/em><\/p>\n\n\n\n

I think I\u2019ve\nbecome a bit more confident behind the camera. It\u2019s probably never a good idea\nto be too comfortable whether acting or directing but confidence is important\nin both roles.  If your confidence is knocked it can be tricky. Actor and\ndirector get on fine, sometimes they have little disagreements<\/strong><\/strong><\/p>\n\n\n\n

*After the succes of „Schindler`s list“ did you think it was the very peak of your career or is it yet to come?<\/em><\/p>\n\n\n\n

I don\u2019t think\nit is healthy for actors to worry about the peaks of their career. Certainly I\nwas aware that Schindler\u2019s List was an enormous success at the time.  The\nfate of any film is never known.  The most important thing is to be the\nbest you can.<\/strong><\/strong><\/p>\n\n\n\n

*The music from this movie, it`s like it has a life of it`s own. How carefully do you choose music for your films and what is the most important to you in this matter?<\/em><\/p>\n\n\n\n

Generally I am\nwary of too much music in films but of course this is a film about the young Nureyev\nso there was going to be music.  There are quite a few excerpts from\nfamous ballets but my collaboration with Ilan Eshkeri has been a very creative\none and his music emerged from many discussions.  Its been very exciting\nto hear how Ilan develops the score.<\/strong><\/p>\n\n\n\n

*And how helpful was the Belgrade Philharmonic in making music for the „White crow“? <\/em><\/p>\n\n\n\n

The Belgrade Philharmonic\nwas instrumental in giving us our key ballet scores.  It was very exciting\nto hear them play the music for the film. I\u2019m deeply grateful.<\/strong><\/p>\n\n\n\n

*We know for sure, the musicians were thrilled to meet you, but how do you remember that encounter?<\/em><\/p>\n\n\n\n

I remember the\nmusicians worked very hard and it was a privilege to listen to the recording\nsessions.<\/strong><\/p>\n\n\n\n

*How do you cope with fame after years and years of being a celebrity, how do you stay down to Earth?<\/em><\/p>\n\n\n\n

My privacy is\nimportant to me. Having good friends and family support is a good way of\nstaying down to earth.  Anyway the idea of celebrity is a complete\nillusion.  Alot of it is bullshit<\/strong>.<\/p>\n\n\n\n

*According to news channels, the world is a very bad place. Millions of people are homelesses, in a flight from wars, famine, unions are being wrecked\u2026 Do you see a silver lining? Is there a warm and safe place, reason to keep going on?<\/em><\/p>\n\n\n\n

It\u2019s hard to\nkeep a completely optimistic view of the world.<\/strong><\/strong><\/p>\n\n\n\n

*You are this year`s laureate at the Belgrade International Film Festival FEST. After the highest accolades you received in your profession, what does this award mean to you?<\/em><\/p>\n\n\n\n

To receive this\nLaureate at this year\u2019s Belgrade Film FEST is undoubtedly something special for\nme. Making two films in Belgrade, two films which have been very important to\nme and both films that I have directed, there\u2019s no question that Belgrade has\nplayed a huge part in my working life. I am deeply honoured. <\/strong><\/p>\n\n\n\n

*What would be the next reason to come back to Serbia? <\/em><\/p>\n\n\n\n

To see friends, to drink dunja, to make a film!<\/strong><\/p>\n\n\n


\n
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„Belgrade feels like a cosmopolitan city and has a major role in my career,“ the film star said in an exclusive interview for the fifth issue of the Filharmonija Magazine in the Srpski telegraf, on the eve of a new meeting with friends in Serbia. The Serbian premiere of the film „The White Crow,“ directed […]<\/p>\n","protected":false},"author":1,"featured_media":23828,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[112],"tags":[],"class_list":["post-23831","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"\nRalph Fiennes' Exclusive Interview to Filharmonija Magazine: I\u2019d Like a Big Injection of Serbian Soul | Beogradska filharmonija<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.bgf.rs\/ralph-fiennes-exclusive-interview-to-filharmonija-magazine-i-d-like-a-big-injection-of-serbian-soul\/\" \/>\n<meta property=\"og:locale\" content=\"sr_RS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ralph Fiennes' Exclusive Interview to Filharmonija Magazine: I\u2019d Like a Big Injection of Serbian Soul | Beogradska filharmonija\" \/>\n<meta property=\"og:description\" content=\"„Belgrade feels like a cosmopolitan city and has a major role in my career,“ the film star said in an exclusive interview for the fifth issue of the Filharmonija Magazine in the Srpski telegraf, on the eve of a new meeting with friends in Serbia. 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