{"id":118385,"date":"2025-04-22T14:57:41","date_gmt":"2025-04-22T13:57:41","guid":{"rendered":"https:\/\/www.bgf.rs\/?page_id=118385"},"modified":"2025-04-23T11:41:50","modified_gmt":"2025-04-23T10:41:50","slug":"tutti-percussionist-audition-required-orchestral-excerpts","status":"publish","type":"page","link":"https:\/\/www.bgf.rs\/en\/orchestra\/vacancies\/tutti-percussionist-audition-required-orchestral-excerpts\/","title":{"rendered":"TUTTI PERCUSSIONIST AUDITION: REQUIRED ORCHESTRAL EXCERPTS"},"content":{"rendered":"<p><span style=\"color: #d9a300;\"><b>1<\/b><b>st<\/b><b> ROUND:<\/b><\/span><\/p>\n<p><b>Snare drum<\/b><span style=\"font-weight: 400;\"> &#8211; Jacques Delecluse: <\/span><i><span style=\"font-weight: 400;\">Test &#8211; Claire<\/span><\/i><\/p>\n<p><b>Xylophone<\/b><span style=\"font-weight: 400;\"> \u2013 Morris Goldenberg: <\/span><i><span style=\"font-weight: 400;\">Modern School for Xylophone<\/span><\/i><span style=\"font-weight: 400;\">, Etude no. XVIII<\/span><\/p>\n<p><b>Solo piece for marimba or vibraphone<\/b><span style=\"font-weight: 400;\">, preferably with four mallets, no longer then eight minutes (<\/span><span style=\"font-weight: 400;\">scores need to be provided for audition committee<\/span><span style=\"font-weight: 400;\">).<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #d9a300;\"><b>2<\/b><b>nd<\/b><b> ROUND:<\/b><\/span><\/p>\n<p><b>Orchestral repertoire:<\/b><\/p>\n<p><b>Snare drum:<\/b><\/p>\n<p><b>Rimsky-Korskakov <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>Sheherazade<\/b><span style=\"font-weight: 400;\">: Mvt. III and mvt. IV.<\/span><\/p>\n<p><b>Rimsky-Korskakov<\/b> <span style=\"font-weight: 400;\">\u2013 <\/span><b>Capriccio Espagnole<\/b><span style=\"font-weight: 400;\">: Mvt. III from beginning until K; Mvt. IV from beginning until 10 bars after L.<\/span><\/p>\n<p><b>M. Ravel<\/b> <span style=\"font-weight: 400;\">\u2013 <\/span><b>Bolero<\/b><span style=\"font-weight: 400;\">: from beginning until 1.<\/span><\/p>\n<p><b>S. Prokofiev <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>Lieutenant Kije<\/b><span style=\"font-weight: 400;\">: Mvt. I from 1 to 2.<\/span><\/p>\n<p><b>S. Prokofiev <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>Peter and the Wolf<\/b><span style=\"font-weight: 400;\">: from 49 to 1 bar before 51.<\/span><\/p>\n<p><b>D. Shostakovich<\/b> <span style=\"font-weight: 400;\">\u2013 <\/span><b>Symphony No.10<\/b><span style=\"font-weight: 400;\">: Mvt. II.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Tambourine:<\/b><\/p>\n<p><b>A. Dvorak <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>Carnival Overture<\/b><span style=\"font-weight: 400;\">: from beginning until 4 bars before C, from Q to S, from T until the end.<\/span><\/p>\n<p><b>I. Stravinsky <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>Petrushka<\/b><span style=\"font-weight: 400;\">: from 201 until 206.<\/span><\/p>\n<p><b>G. Bizet<\/b> <span style=\"font-weight: 400;\">\u2013 <\/span><b>Carmen Suite No.1<\/b><span style=\"font-weight: 400;\">: No.1a Aragonaise<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Xylophone:<\/b><\/p>\n<p><b>G. Gershwin<\/b> <span style=\"font-weight: 400;\">\u2013 <\/span><b>Porgy and Bess<\/b><span style=\"font-weight: 400;\">: Introduction<\/span><\/p>\n<p><b>G. Gershwin <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>An American in Paris<\/b><\/p>\n<p><b>I. Stravinsky<\/b> <span style=\"font-weight: 400;\">\u2013<\/span>\u00a0<b>Firebird<\/b><span style=\"font-weight: 400;\">: from 127 until 133.<\/span><\/p>\n<p><b>D. Shostakovich <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>Symphony no. 15<\/b><span style=\"font-weight: 400;\">: Mvt. I from 16 until 7 bars after 18, 6 bars before 38, from 41 until 43, 3 bars after 48 until 50.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Glockenspiel:<\/b><\/p>\n<p><b>O. Respighi <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>Pini di Roma<\/b><\/p>\n<p><b>P. Dukas <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>The Sorcerer\u2019s Apprentice<\/b>: 4 bars after 17 until 10 bars after 26, 7 bars after 40 until 41, 7 bars after 52 until 53.<\/p>\n<p><b>S. Prokofiev <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>Alexander Nevsky<\/b>: from 81 until 84, from 90 until the end.<\/p>\n<p>&nbsp;<\/p>\n<p><b>Vibraphone:<\/b><\/p>\n<p><b>L. Bernstein <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>West Side Story (Symphonic Dances)<\/b>: from 567 until 577, from 582 until 631, from 701 until 705.<\/p>\n<p><b>J. Williams <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>Harry Potter and The Sorcerer\u2019s Stone<\/b>: Hedwig\u2019s Theme from 1 bar before 43 until 75 (theme).<\/p>\n<p>&nbsp;<\/p>\n<p><b>Gran cassa:<\/b><\/p>\n<p><b><\/b><b>I. Stravinsky <span style=\"font-weight: 400;\">\u2013<\/span><\/b>\u00a0<b>The Rite of Spring<\/b>: from 72 until 79.<\/p>\n<p><b>G.Mahler <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>Symphony No. 3<\/b>: Mvt. I<\/p>\n<p>&nbsp;<\/p>\n<p><b>Piatti:<\/b><\/p>\n<p><b>P. I. Tchaikovsky <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>Romeo and Juliet, Fantasy Overture<\/b>: from E until 6 bars before F, from 18 bars after S until 13 bars before U.<\/p>\n<p><b>P. I. Tchaikovsky <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>Symphony No. 4<\/b>: Mvt. IV: from 16 bars after H until the end.<\/p>\n<p><b>P. I. Tchaikovsky <span style=\"font-weight: 400;\">\u2013<\/span><\/b> <b>The Nutcracker<\/b>: Danse des Mirlitons.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1st ROUND: Snare drum &#8211; Jacques Delecluse: Test &#8211; Claire Xylophone \u2013 Morris Goldenberg: Modern School for Xylophone, Etude no. XVIII Solo piece for marimba or vibraphone, preferably with four mallets, no longer then eight minutes (scores need to be provided for audition committee). &nbsp; 2nd ROUND: Orchestral repertoire: Snare drum: Rimsky-Korskakov \u2013 Sheherazade: Mvt. [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":2407,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-118385","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>TUTTI PERCUSSIONIST AUDITION: REQUIRED ORCHESTRAL EXCERPTS | Beogradska filharmonija<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.bgf.rs\/orchestra\/vacancies\/tutti-percussionist-audition-required-orchestral-excerpts\/\" \/>\n<meta property=\"og:locale\" content=\"sr_RS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TUTTI PERCUSSIONIST AUDITION: REQUIRED ORCHESTRAL EXCERPTS | Beogradska filharmonija\" \/>\n<meta property=\"og:description\" content=\"1st ROUND: Snare drum &#8211; Jacques Delecluse: Test &#8211; Claire Xylophone \u2013 Morris Goldenberg: Modern School for Xylophone, Etude no. 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